Volume 1, Issue 1 (12-2019)
kurmanj 2019, 1(1): 1-7 |
Back to browse issues page
Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:
Farazmand F. The Role of collective unconscious in the Murals of Altamira Cave in Spain. kurmanj 2019; 1 (1) :1-7
URL: http://kurmanj.srpub.org/article-2-24-en.html
URL: http://kurmanj.srpub.org/article-2-24-en.html
Art and Architecture Faculty, Azad Islamic University, Tehran, Iran
Abstract: (2415 Views)
The cave men were illustrating on caves for getting to know himself and the world around. The illustrations are full of symbols and meanings and have used signs and different forms by deconstructing totem. To achieve more analyses about his mind needs discussion. Symbolic signs are representative of what is beyond what may seem at first glance. Those are connected with everyday life. In fact, symbols have collective unconscious aspects which stand for thinking method and life style.
The importance of knowing Paleolithic art and cognitive grounds for it had formed cultures. The qualities of these works of art and the ambiguities of them in the interpretation of their message to the viewer look mysterious. Thus, methodological and vast studies about prehistoric art till the 16th century are started and still being continued.
Such researches are increasing as a result of new findings in the 20th century. Jung’s psychological analyses about prehistoric human mind and its connection with unconscious me in attaining unconsciousness is assesses in this paper and the symbolic act of Paleolithic man which originates from his dreams are analyzed. The research method is a descriptive, analytical, and comparative one while the data gathering method is biblical one. By implemented examinations, we can apply Jung’s views on the analyses of Paleolithic cave art which follows by mythological studies later on.
The importance of knowing Paleolithic art and cognitive grounds for it had formed cultures. The qualities of these works of art and the ambiguities of them in the interpretation of their message to the viewer look mysterious. Thus, methodological and vast studies about prehistoric art till the 16th century are started and still being continued.
Such researches are increasing as a result of new findings in the 20th century. Jung’s psychological analyses about prehistoric human mind and its connection with unconscious me in attaining unconsciousness is assesses in this paper and the symbolic act of Paleolithic man which originates from his dreams are analyzed. The research method is a descriptive, analytical, and comparative one while the data gathering method is biblical one. By implemented examinations, we can apply Jung’s views on the analyses of Paleolithic cave art which follows by mythological studies later on.
Humanities: Research |
Received: 2019/02/3 | Revised: 2019/06/16 | Accepted: 2019/10/19 | Published: 2019/12/31
Received: 2019/02/3 | Revised: 2019/06/16 | Accepted: 2019/10/19 | Published: 2019/12/31
References
1. Aistop, Anthony, 1392, subconscious, translation Shiva Rvygryan, Fourth Edition, Tehran, Press Center
2. Arestani Soleimani, Abdul Rahim, 1394, primal religions and off, printing, Tehran, book publishers Taha
3. Bishop,Paul (2014), Carl Jung, Reaktion Books Ltd
4. Davis, Dani, Hefricher, Jacobs, and Roberts, Simmon, 1388, tr. Farzan Sojoudi, Jonson's History of Art, first issue, Tehran, Mirdashti Publication
5. De Vino, Jean, 1379, Sociology of Art, tr. Mehdi Sahabi, fourth pub, Tehran, Markaz Publication.
6. Eliade, Mircea, 1394, the history of religious thought, translation Mani Salehi signs, printing, publishing lotus
7. Emmanuel, Anati, translation M. Hashemi, rock art, Art Monthly, Issue 71, 72, August and September 1383, 110-119
8. Freud, Sigmund, 1351, Totem and Taboo, translated by Mohammad Ali Khonji, First Edition, Tehran, Tahoori
9. Goran, Andre Laura, translation Jalaluddin Rafifar, reflection on art caves, Social Science: Sociological Studies, Issue 5, Summer 1370, 281-296
10. Hans, translation Shahram Zare, caves large predators 3, Ancient Studies, No. 5 and 6, December 1378, 34-38 biome,
11. Hariss, Jonathan (2006), Art History, Routledge Publication
12. Hauser, Arnold, 1362, Social history of Art, Tr. Amin Moayyed, First issue, Tehran, Chapakhsh Publication
13. Jung, Car Gustav, 1389, Soul and life, tr. Latif sedghiani, fourth issue, Tehran, Jami publication.
14. Jung, Car Gustav, 1389, subconscious, tr. Abolghasem Esmaeilpour, ninth issue, Tehran, Ghatreh publication.
15. Jung, Car Gustav, 1391, unconscious self, tr. Mehdi Ghanei, first issue, Tehran, Jami publication.
16. Jung, Carl .G (2012), Jung contra Freud, Princeton University Press [DOI:10.1515/9781400839841]
17. Jung, Carl Gustav, 1352, Man and his symbols, tr. Aboutaleb Saremi, First issue, Amirkabir Publication.
18. Rafifar, Jalaleddin, 1381, The emergence and development of art, first issue, Tehran, Barg Zeytoun Publication
19. Schaer, Hans (1951), Jung and the cure of souls in Jung's Psychology, Routledge Publication
20. Snowden, Ruth, 1393, key concepts Jung, translation legendary Shaykh al-Islam, Printing, Publishing gift
21. Teamwork writers (2004), People of the past, Fog City Press
22. Teamwork writers (2015), 30.000 years of art, Phaidon Press
23. www.whc.unesco.org/en/list/31
| Rights and permissions | |
 |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. |